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, by Steven Hyden
Download PDF , by Steven Hyden
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Product details
File Size: 1102 KB
Print Length: 325 pages
Page Numbers Source ISBN: 0062657127
Publisher: Dey Street Books; Reprint edition (May 8, 2018)
Publication Date: May 8, 2018
Sold by: HarperCollins Publishers
Language: English
ASIN: B072BFJ4K4
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This is a great read for all fans of classic rock -- whether you got hooked in the heyday of Zeppelin, Floyd, Sabbath and Purple in the '70s, or fell in love with it 20 or 30 (or 40) years later thanks to Classic Rock radio. I'm in the gray-haired camp: as teenager I lived in Montana and our town had two AM stations that played Top 40 and country. Whenever I visited my grandparents in Seattle, I stayed up late every night listening to KISW and KZOK on their oversized multi-band radio. In those Northwet (not a typo) summer nights, hearing The Who sing, "Hope I die before I get old," I sometimes wondered what the mightiest of those bands would sound like in the future -- man, you know, when I'd be 30 and they'd be 45-plus...! Similar thoughts and experiences echo throughout "Twighlight of the Gods." This isn't a nostalgia trip. It's a thoughtful examination of what may happen to the music when our heroes have passed from the scene. Long live the best of rock and roll, if only in our hearts, minds, and memories.
After reading Mr. Hyden’s Your Favorite Band Is Killing Me, a book I really enjoyed, I had high expectations for this new one and I did like it; however, it was a disappointment coming on the heels of his previous, better effort.In this book, Mr. Hyden explores “the end of classic rockâ€. He defines classic rock as beginning with the release of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band and ending with Nine Inch Nails’ The Fragile. He talks about the importance of the live show to classic rock and “life on the roadâ€. He explores artists and bands he adores and throws shade at those he doesn’t. All of which is expected and quite well done. I particularly liked when he wrote about the “Midwestern†music his Mom loved and “dad rockâ€. Still, I never felt it added up to more than just a fun approach to music criticism, which is nice, but his previous book went beyond the basics.The disappearance of rock music is something I have considered before. Chuck Klosterman did an excellent job of tilling much of the same ground in his book But What If We’re Wrong? And he managed to take this topic and make it mean more. Much like Mr. Hyden did in his first book and what I wish he would’ve done here.
Read "I Hate New Music" instead. It's more informed about the music of the 60's and 70's and is actually humorous in a dry British kind of way. This author spends waaaay too much time imparting his personal experiences with the music he is writing about. Nobody cares about what you thought your divorced parents were thinking about when they listened to Fleetwood Mac's Rumors 10 years after it came out. What did Frank Zappa say about rock journalists...?
Steven has a very casual, relatable writing style. I have been asking myself for a few years now "Does anybody ever really need to hear Hotel California again?" and this book address so many questions I have had about the genre in an informative and funny way. Seriously though, does anybody ever need to hear Hotel California again?
I bought this book to read on vacation as I sat by the pool and chilled out. And on that level, it was a great success. It's not too deep and it's mostly fun. It's not going to change your views or understanding of classic rock, but that's an awful lot to ask from a book of essays. Reading this book was like having a very long conversation with a friend with similar cultural touchstones who is super into classic rock. When the conversation spun around to bands I love, I enjoyed the book more. When the talk turned to artists I was less familiar with, like Phish, it was like having a dude drone on in my ear about a killer track that changed his life. But by and large, I usually enjoyed the conversation.There's a lot of fun fodder in this book to think and debate about. In a time when most debates in my life have turned to some kind of unending political hell, it was a great escape to take a few moments to argue the relative merits of REO Speedwagon's catalogue, the joys of a stadium tour and the line where the Stones and the Beatles switch from oldies to classic rock.I needed a break from heaviness and this book gave it to me. What more can you really ask for?
This is the sort of book where you wish it wasn’t done with when you finish.Hyden crafts severally thematically linked essays here, each presented as a “track†on his mythical album. He covers classic rock – most of the artists I ended up knowing their songs, but I was just a little too young to experience them in the moment. So was he, but somehow gained an appreciation for the music of our fathers that I didn’t grow. He writes in a way that created a nostalgia in me for not really appreciating it, and a knowledge that there will most likely not be people writing with the same fluency of the rock of my teenage years.There’s no thoughtful appreciation of Korn coming down the pike.
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