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Senin, 23 April 2012

PDF Download Terry John Woods' Farmhouse Modern, by Terry John Woods

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Terry John Woods' Farmhouse Modern, by Terry John Woods

Terry John Woods' Farmhouse Modern, by Terry John Woods


Terry John Woods' Farmhouse Modern, by Terry John Woods


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Terry John Woods' Farmhouse Modern, by Terry John Woods

About the Author

Terry John Woods’s career has included painting and sculpture, garden and interior design, and styling features for national publications. His folk-art talents were developed in the 1980s with his design and creation of vintage-style teddy bears, which are now collected internationally. Visit his website at terryjohnwoods.com. Kindra Clineff specializes in location photography for commercial and editorial clients. Visit her website at kindraclineff.com.

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Product details

Hardcover: 224 pages

Publisher: Stewart, Tabori and Chang (October 1, 2013)

Language: English

ISBN-10: 1617690317

ISBN-13: 978-1617690310

Product Dimensions:

10.2 x 1 x 11.2 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

24 customer reviews

Amazon Best Sellers Rank:

#327,526 in Books (See Top 100 in Books)

This book is just a bunch of close up shots of collectibles. There is nothing to draw inspiration from because you can hardly see a single room from any decent angle or perspective. It is like a class in object photography and totally useless. Really unhappy.

I have all Terry John Woods books and a handmade Teddy Bear created by him as only he can do. I am a follower of his work and find his style refreshing without being over the top as far as trying to stay in the style of the moment. He has a clean line which includes using items from the past while keeping a sparser style which is what I enjoy.

It's generally a good book, not great, but just good. I can spare you the purchase by having you go out and purchase 200 yards of white canvas duck and slipcover your furniture, then, take out all other items in your house. Purchase 40 gallons of white paint and paint the whole interior of your house, white: beds, walls floors etc. Then sprinkle your house sparingly with accessories and boy do I mean leave the house bare. A bedroom will consist of a bed and a white dresser. Dress the bed in your white canvas with white sheets. It's basically about minimalism. I love the look but I'm far off from ever recreating anything from this book. It was an impulse buy. I'm glad I have it, but, really it's very institutional: white on white and dots of color.

I was hoping for a lot of new ideas for decorating with tips, and shots of finished rooms. Instead, there are only close ups of vignettes, and mostly very similar vignettes, over and over. I had been looking forward to an coffee table book that I could return to over and over for inspiration but instead it's just a lot of the same shots that could easily be found on Pinterest.

Being a fan of the neutrals, and loving TJW's usual design with neutrals, I was surprised by the amount of color, but it was interesting and there were many other photos with his more typical color palette. Being such a fan of his though, any of his books I would buy and love. Love his dogs too.

Terry Woods shares his creative heart in this book that activates the reader to step it up into the simplicity of seeing the beauty in an ordinary piece, and or a room that each of us may have access to. Stirs the heart to be creative with what someone else has created with their heart first of all.

A beautifully photographed book with a fresh look at rustic living. An elegant slant on comfort and simplicity drawing the eye to the vintage, antique and art of a home. An inspiring look that "country living," always has a place in decor.Thank you for your wonderful books, Mr. Woods!

Similar to Terry John Woods other books. Beautiful photos and compositions. A pop of color in an otherwise white or neutral room. Modern but with beautiful painted antiques sharing the space. I enjoyed the sparseness of the space with one or two beautiful painted pieces pulling in the eye. Something a little unique. Author did a wonderful job with this as with his other books.

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Minggu, 22 April 2012

PDF Download One Child: Life, Love and Parenthood in Modern China, by Mei Fong

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One Child: Life, Love and Parenthood in Modern China, by Mei Fong


One Child: Life, Love and Parenthood in Modern China, by Mei Fong


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One Child: Life, Love and Parenthood in Modern China, by Mei Fong

About the Author

Mei Fong is a Pulitzer Prize-winning journalist who spent over a decade reporting in Asia, most notably as China correspondent for The Wall Street Journal. She is a winner of Amnesty’s Human Rights Press Award.

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Product details

Paperback: 272 pages

Publisher: Oneworld Publications; Reprint edition (January 9, 2018)

Language: English

ISBN-10: 1780748450

ISBN-13: 978-1780748450

Product Dimensions:

5.7 x 0.9 x 8.9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

106 customer reviews

Amazon Best Sellers Rank:

#215,234 in Books (See Top 100 in Books)

This book was a Christmas present for my wife. After returning from an academic residency in China, I wanted to help her understand how my students understood the nature of family, and to impart something of the struggles faced by poor families with more than one child. Sharing this was especially important since I had shoved my last thousand yuan into the hands of my twenty-year old interpreter en route to the airport, in the hopes that it might make more of a difference for his rural family (including a sister) than for us.I soon borrowed the book; my wife hasn't seen it since Christmas Day. I learned much. Clearly, Fong's access to China and her language fluency allowed her to share insights that would elude journalists without these qualities. Yet, none of the insights were novel, and I was disappointed with both her bias against China and her celebration of the suffering of rural poor who happened to be male.The anti-China bias manifested in (what seemed to me clumsy) attempts to find lessons about the one-child policy in the 2008 Sichuan earthquake, and the 2008 Summer Olympics in Beijing -- both of which were painted in a very unfavorable light, with carefully chosen examples to highlight the horrors of modern China. While no doubt the response to natural disasters and the hosting of a global event reveal something about China worth knowing, these events don't seem the most natural flash-points for discussion of reproductive policy. It seemed more like an excuse to bash the CCP. Don't get me wrong. I'm not a stooge for communists. But such criticism seemed tangential and distracting in a book about reproductive policy, specifically. To put it a little differently, tracing the impact of the one-child policy on the 2008 olympics is like trying to understand Brown v. Board through the 1996 games in Atlanta, Georgia. Maybe there's something there, but I wouldn't start a book about desegregation that way.As to the hardships of the rural, male poor, the insensitivity of the author almost brought tears to my eyes and nearly prevented me from continuing. Fong described how some young men in an agricultural community were lured into marriage by scammers. Because of the reverse-dowry system in China, the parents of the boys had to take out loans they might have to work decades to repay. The women vanished with the money, leaving the families in financial ruin and new husbands humiliated and heartbroken. Fong wrote something to the effect that this was something of a victory for women in a country that had oppressed them. I couldn't help but think of my students in China, their parents, and the hardships they endure. To celebrate their suffering in the name of feminism seems as perverse as celebrating forced abortions in the name of patriarchy.Again, I learned much. But I would hesitate to lean too much on this reporting in building up an understanding of China.

While I am only one fourth of the way through this book, I have thoroughly enjoyed it and learned a great deal about the ramifications of China's one-child policy. Of course, being at the age that I am, I was an adult when they adopted the policy and knew that eventually this was going to be a problem. One thing that truly resonated with me was Ms Fong's very accurate description of the difference between having one child and having many. In the Kindle edition it is between location 709 and 715. She states that Western ears might not understand how shidu parents ( those who lost their one and only child) feel more devastation than what the parents of several children feel upon the loss of one child. As the parent of an only child, I understand very well, even with my Western ears. I was unable to have any more children after the one. The people that I have voiced my feelings about this, that the loss of my one child would be an all-encompassing feeling of complete disaster and the loss would be greater than that of a parent who lost one child but has two more remaining. They would tell me that I just did not understand, that they love each of their children as much as I love my only. That I do not dispute. However, they do not understand, actually, that when one's only child is gone, there will be no consolation. No weddings, no graduations, no grandchildren scampering happily around a Christmas tree, being spoiled by Grandma and Grandpa. Its not that I love my one child more, but the utter sense of loss would be astronomically more devastating.For the Chinese, in their time-honored tradition of one generation tending to the generation prior and even the generation prior to that, this loss is far, far worse.I've often wondered how many Chinese citizens who did abort or commit infanticide to rid themselves of unwanted female infants are very sorry since those little girls are now quite the commodity. And those of us in the West cannot pretend that the woes that China will face because of this policy will not touch us over here on this side of the world. It will.

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Kamis, 19 April 2012

Free Ebook The Modern History of Jordan

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The Modern History of Jordan


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The Modern History of Jordan

Product details

Paperback: 305 pages

Publisher: I.B.Tauris; Revised ed. edition (December 15, 1998)

Language: English

ISBN-10: 1860643310

ISBN-13: 978-1860643316

Product Dimensions:

5.6 x 0.5 x 8.3 inches

Shipping Weight: 14.4 ounces

Average Customer Review:

3.8 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,902,814 in Books (See Top 100 in Books)

It is a comprehensive book. Salibi was a great Historian.

Salibi writes with his usual lucid and detailed style making this book a pleasure to read. Despite his attempts at objectivity, the book was careful, in fact too careful, to insult the sensibilites of some parties. Salibi attempeted to trudge his way through the sensitivity of many historical controversaies in an attempt to be fair to all parties concerned. FOr those expecting a critical account of history, do not expect much. However, if you are merely looking for a interesting history of modern Jordan, this is your book especially in relation to the minor details many historians overlook in the process of grand theorisation.

Jordan-that country conjured out of sand and hills by Winston Churchill at the Cairo conference in March 1921--has always had a question mark over its existence. For the first thirty years, King 'Abdullah tried to trade Amman, his backwater capital, for Damascus or Jerusalem. King Husayn struggled during four decades to fend off many predators, including Gamal Abdel Nasser and the PLO. As recently as July 1994, he stated that Jordan "is susceptible to fragmentation." Salibi, professor of history at the American University of Beirut, provides an excellent basis for grappling with these fundamental questions about the Jordanian polity. In two of the book's most important chapters, he chronicles the Hashemite dynasty which produced the kings of Jordan and tells the history of the territory that Churchill would eventually make into Jordan. Particularly important for today's Jordan-is-Palestine advocates to note, Salibi shows that the British did not control Transjordan during the eight critical months between the French conquest of Damascus in July 1920 and the Cairo Conference. The sections dealing with more recent history provide a competent and useful account of political developments, but they do not provide new perspectives; more surprisingly, they have nothing to say about the culture and economy of modern Jordan, a major lapse.Middle East Quarterly, September 1994

Jordan-that country conjured out of sand and hills by Winston Churchill at the Cairo conference in March 1921--has always had a question mark over its existence. For the first thirty years, King 'Abdullah tried to trade Amman, his backwater capital, for Damascus or Jerusalem. King Husayn struggled during four decades to fend off many predators, including Gamal Abdel Nasser and the PLO. As recently as July 1994, he stated that Jordan "is susceptible to fragmentation." Salibi, professor of history at the American University of Beirut, provides an excellent basis for grappling with these fundamental questions about the Jordanian polity. In two of the book's most important chapters, he chronicles the Hashemite dynasty which produced the kings of Jordan and tells the history of the territory that Churchill would eventually make into Jordan. Particularly important for today's Jordan-is-Palestine advocates to note, Salibi shows that the British did not control Transjordan during the eight critical months between the French conquest of Damascus in July 1920 and the Cairo Conference. The sections dealing with more recent history provide a competent and useful account of political developments, but they do not provide new perspectives; more surprisingly, they have nothing to say about the culture and economy of modern Jordan, a major lapse.Middle East Quarterly, September 1994

The Modern History of Jordan is perhaps the one and only source about the history of this country ever since it was formed under the leadership of Hashemite King Abdullah I.Like all of his works, Salibi traces with his meticulous eye and encyclopedic knowledge the story of this country since antiquity even though according to Salibi, the most important part in the formation of Jordan came recently when France and Britain divided the region into their spheres of influence after the conclusion of WWI in 1919.Salibi's style is particularly entertaining and flows in a scientific and intriguing manner. The book is money well-spent and fits in the libraries of both history experts as well as average readers.

I read this book as preparatory material for a study abroad program in Jordan, and was initially pleased with how informative it is. While it is informative as a general history, the real purpose of this book is to be an apology for the Hashemites. When Salibi isn't actively seeking to bolster the image of Hussein and the Hashemites in general, he is downplaying the significance of internal struggle and strife within Jordan. For example, compare accounts of the 1960s in Jordan in Salibi to other account. What Salibi describes as minor domestic troubles are described in other accounts as the Hashemites nearly being overthrown. He also, to my mind, shamefully neglects the full scope of the Palestinian issue as it has played out in Jordanian politics and identity-formation. His treatment of Black September discounts the Palestinian perspective while attempting to say the Hashemite's brutal repression really wasn't all that bad.I have had "A History of Jordan" by Philip Robins highly recommended to me, however I have not read it. It is likely to be a more objective account of the history of Jordan. If you do choose to read The Modern History of Jordan do so with a critical eye towards the goals of Salibi, which appears to be proselytizing for the Hashemites. It is also important that you supplement your reading on Jordan with other books, such as Joseph Massad's extraordinary "Colonial Effects" and Marc Lynch's "State Interests and Public Spheres"While I certainly don't want to resort to ad hominom attacks on Kamal Salibi, I do question the rigor of his scholarship given the apologetic nature of "The Modern History of Jordan" and his controversial and discounted theory that historical Israel was in fact Yemen. He appears to be a scholar with an agenda, and it shines through very clearly in his work.

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Selasa, 17 April 2012

Ebook Download Ultimate Juices & Smoothies Encyclopedia

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Ultimate Juices & Smoothies Encyclopedia

About the Author

Jill Hamilton ELS is a freelance author and editor, specializing in life, physical, and medical sciences. She developed the American Museum of Natural History Birds of North America (2009), a complete guide to the bird species of North America, their behavior, and distribution. The author has also been a contributor to anatomical, health, and first aid references. She lives in New York.

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Product details

Paperback: 320 pages

Publisher: Thunder Bay Press; Reprint edition (February 6, 2018)

Language: English

ISBN-10: 1684122813

ISBN-13: 978-1684122813

Product Dimensions:

5.5 x 1.1 x 10 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#495,925 in Books (See Top 100 in Books)

Alright, at first I borrowed this book from the library and I never wanted to give it back. Unfortunately, I had to so I purchased my own. I love how the book is categorized into sections like kid smoothies, ailments, cleansing, protein, green, desserts, and appetizers. The ingredients usually range from 3-6. Flax seed and coconut shavings could be optional depending on how you like it. This book is loaded with pictures so you can almost be sure what it would look like because we all eat with our eyes first right? It's so colorful and easy to look at and browse, you'll almost always find a recipe where you probably have the ingredients already

Got a few new (appetizer and dessert) smoothie ideas from this book. Love the large photos and how the smoothie and juice pictures are set in mouth-watering poses.Would definitely recommend this book to smoothie and juicing beginners as well as long time connoisseurs.

This book is so beautifully presented and provides every healthy smoothie and juice recipe you could ever want. I highly recommend it, as it's likely to be the last smoothie book you'll ever need. If there's one negative, it's that there is too much. But that's a good problem. Just pick one and start making your favorite smoothie.

Excellent book, great pictures. Have given four away as gifts. Everyone I gave it to uses it and loves it.

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Love this book. Also purchased three more as gifts.

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Sabtu, 31 Maret 2012

Ebook Download Living and Sustaining a Creative Life: Essays by 40 Working Artists, by Sharon Louden

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Living and Sustaining a Creative Life: Essays by 40 Working Artists, by Sharon Louden

Review

“Extraordinary. . . . Louden has initiated a public discussion of how an artist can persist. It’s an essential question in a field that no one chooses for its assurance of financial rewards. In many ways, Louden’s book helps us to answer the question, ‘How does an artist make a living today?’ . . . Louden makes an important contribution to the discussion of how art is made now by the vast majority of artists at work. The book is a reality check prompting us to recall that invention doesn’t happen without determination. As these artists’ testimonies so vividly show, history, theory, and criticism are activities dependent ultimately on the hard-won production of art.” (Art Journal)“Contributions range from predictable to shocking, in-control and overwhelmed. Some artists have full-time jobs; many are parents. . . .[Louden is] telling it like it is.” (ARTnews)“A strikingly frank book that removes the veil of mysticism surrounding the artistic life.” (Hyperallergic)"Consisting of 40 essays, this book presents the realities of the creative life over time, as reported by practicing artists. The stories take the form of interviews, narratives, and statements, and convey in frank, authentic form the joys and challenges of being an artist....Aspiring artists and students will be inspired by these essays, and professionals will see themselves in many of the stories being told. Anyone considering a career in art can profit from reading this book. It also provides insight into the world of art as a commodity, and the challenges of balancing business, relationships, and the creative life....Highly recommended." (CHOICE)"Anyone serious about a career as an artist must read this book." (Adam Sheffer, partner, Cheim and Read Gallery)“Too often the story of how an artist makes art and a living is advertised as either a step into an abyss of debt and dementia or a glamorized Bohemia misunderstood by a general public. Yet what these artists demonstrate in this valuable book is that the common bond for us all who aspire to a well-lived life is blood, sweat, and tears. From artists living off sales of their work to those who teach and those who search for paychecks in odd jobs, the desire to create is never extinguished.” (Franklin Sirmans, Terri and Michael Smooke Curator, Los Angeles County Museum of Art)“From surprisingly frank sharings on the struggles of starting out as young artists to the challenges of making time and space for creation, the artists in Living and Sustaining a Creative Life share with candor and heart just what it takes to be an artist today." (Anne Pasternak, president and artistic director, Creative Time)“Sharon Louden has gathered together in this book an exceptionally diverse range of artists’ experiences in order to illustrate, in a manner otherwise inaccessible, the inherent tensions that artists face in constantly balancing their drive to devote core time and energy to creating new work and their wish to share that work with the world with the complexities, as well as the joys, of their personal and family lives.” (Michael Straus, chairman, Andy Warhol Foundation for the Visual Arts)“I applaud artist Sharon Louden for assembling this fascinating compilation of artist testimonies. It provides a refreshing, honest look at the myriad ways that artists shape and feed their lives and evolve authentic, generative practices in a society that does not always make it easy for artists to subsist and fully contribute. Living and Sustaining a Creative Life is thus an inspiring, unexpurgated resource for artists beginning their careers as well as any individual seeking to recalibrate his or her daily life to pursue a more purpose-filled existence.” (Olga Viso, executive director, Walker Art Center)"Louden’s collection offers valuable lessons on striking a balance between the need to make money and the need to make art; for if making art is the primary concern, making money becomes a means to an end―not the end itself. . . . Though written about the unique experience of fine artists, Living and Sustaining A Creative Life is worth the read by anyone seeking to build a life of artistic intention without ignoring the need for monetary sustenance." (Courtney M. McSwain, writer and storytelling consultant)

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About the Author

Sharon Louden is an editor, educator, advocate, and a practicing, professional artist. Her work has been exhibited at the Aldrich Contemporary Art Museum, the Drawing Center, Weisman Art Museum, Birmingham Museum of Art, Weatherspoon Art Museum, and the Kemper Museum of Contemporary Art, among other venues, and it is held in public collections such as the Whitney Museum of American Art, the National Gallery of Art, and the Museum of Fine Arts, Houston. For book tour information, please visit www.livesustain.org.

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Product details

Paperback: 224 pages

Publisher: Intellect Ltd; First edition edition (October 15, 2013)

Language: English

ISBN-10: 9781783200122

ISBN-13: 978-1783200122

ASIN: 178320012X

Product Dimensions:

7 x 0.6 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

54 customer reviews

Amazon Best Sellers Rank:

#76,209 in Books (See Top 100 in Books)

As a professional artist, I was very taken with this refreshing book of essays about the practical side of making a living as a visual artist. My path of making a living as an artist has been as unique and unexpected as many of the stories represented in Louden's book, and I found myself feeling validated and supported. As in my experience, the book shows how serendipity, hard work, luck, talent, and building relationships play a part in developing the careers of artists. There are quite a few essays included, and each path and perspective shared was interesting in its own way. The editor, Sharon Louden, presented the pieces in a straightforward manner, forgoing too much opinionated commentary that can take away from the clarity of the material. In fact, my favorite thing about the book was how each author stuck to the topic (making a continuous living as a visual artist) without intellectual discourse. The mystery of creativity is a powerful and wonderful part of being an artist, but the day to day workings and the meanderings of a career are a thing of fascination, too. This book celebrated the functional side of art, presented by professionals who can instruct by honest experience rather than didacticism. It was at times funny, surprising, and triumphant. I recommend it to artists at the dawn of their possible careers or artists who've been at it for a lifetime.

There are many wonderful things about this book. Each artists chapter reveals the layers of what it means to balance life as an artist. The term working artist can mean many, many things. Defining what is a "working artist" is indeed one of the great intangibles of learning what it is to be an artist. The bottom line is we all figure it out and define it in different ways. Sharon's book illuminates the various ways artists define what it is to be and do and function as a working artist. The essays, most narrative in form, peel back the layers of daily life and work. They reveal the sometimes precarious balance that artists walk with their daily practice, their business and their personal lives. I wish I'd had this book when I was at NYU. It would have demystified the artistic world I so desperately wanted to be a part of. Now many years later I have figured out the daily ins and outs of what it means to move through life as an artist. But back in school this book would have been an invaluable tool in putting a creative life together bit by bit as it works for the individual. I say it should be required reading for art students of all disciplines. It's filled with insight that one only gets from experience. Its a rare gift to get an inside view of the path to come. I loved every page. Wonderful book.

As a non-practicing artist, only at the moment, this book has inspired me to dust off my talents and polish them a little. A fantastic read but it does not stop there. These artist actually exist, they are not dead yet, they are still practicing artists. You can look them up on the internet and contact them. Just reading about them and researching their work encouraged me enough. It has caused me to pull out one of my husband's books on business planning and now I'm on my way. Keeping in contact with other artists I studied with, and others I've met over the years are also a great encouragement and of the utmost importance. This book invoked again that passion that started it all in the beginning. The best book for artists who want to make a living out of their passion for the creative things in life. Highly recommended. The only book of its kind so far.

If you're an artist and expect to make a career out of it, you should read this book. You'll hear from 40 other artists how they balance business and art in order to sustain themselves and be happy. These essays paint a realistic panorama on what to expect while living as an artist and how to juggle it with the ever important mission of paying the bills and being able to continue making art.

This book tells real stories, in all their complexities, of how artists craft a life that leaves space and energy for their work, while still finding a way to make the financial aspects of it work. It is down to earth, pragmatic, and complex in the way real lives are. It makes it clear there is no simple formula. We all have to find our way, and a little luck along the way doesn't hurt, but may not happen. Well written, and an enjoyable read.

I would deem this as a must-read for up and coming artists or anyone who is considering art as a career especially. This collection of 40 artists' perspectives delves into the challenges and situations that artists face as they enter the business world.Each artist has a different background story, but there are a few common ideas that are shared among them. Another thing I like about it is the humbleness of the artists, not every artist started out making money, some are still concerned about finances. It is possible, however, to be an artist without remaining in serious debt as long as the principles mentioned are followed. I also felt that the stereotype that artists are "loners" or "recluses" is discussed and defeated in this collection of essays. In order to sell their art, artists must be social and network. There was a lot that I learned and plenty more to talk about after reading the book.

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Selasa, 13 Maret 2012

Free Ebook Outliers: The Story of Success

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Outliers: The Story of Success


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Outliers: The Story of Success

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 7 hours and 17 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: November 18, 2008

Language: English, English

ASIN: B001LNK9C4

Amazon Best Sellers Rank:

Malcolm Gladwell, a writer for the New Yorker (wonderful articles on NFL concussions and NYC rubber rooms in 2009), released this book in the fall of 2008. It spent a few months on the non-fiction best seller list. Gladwell explains that stories of success are usually much more complicated than people (or the media) often make them appear. He writes that the American arch-type of the self-made man is really a myth, and that a great deal of success is often the result of a mixture of time, parents, practice, opportunity and chance.(1) A brilliant point that he offers is that 14 of the 75 richest people in world history (translated into 2008 dollars) were Americans born in the 1830's. He cites that they had to be young enough to avoid the pre-civil War mind-set but old enough to take advantage of the opportunities that Wall Street, the railroads and industrial manufacturing provided between 1865 and 1880. This was one of his several examples about the importance of being born at the right time.(2) Gladwell explained how most of the European immigrants who ended up in NYC in the late 1800's and early 1900's did not have a skill or trade. The Jews that came from Eastern Europe usually had some experience with clothing; as a result, NYC was the world center of garment making during the first half of the 20th century, and the new businesses that sprung up and flourished were almost entirely owned and run by Jews. The children of garment workers (and owners) learned the importance of persuasion, hustle, shrewdness and long hours. Many garment workers' children became professionals, such as doctors and lawyers.(3) He forwards the "10,000" rule in chapter 2 and cites that the Beatles were on stage for about 10,000 hours in Hamburg, Germany, and that experience transformed them into a band that could play lots of songs in a variety of different styles. Bill Gates also had 10,000 hours of practice on a computer in the late 60's, and Mozart wrote music for about 10,000 hours before he started turning out his greatest work.(4) The Beatles were given the opportunity to play in Hamburg because of the relationship that a booking agent from Liverpool had with some Germans. Gates had access to a computer because of where he grew up (going to a rich school that was close to the University of Washington) and who he knew (a friend's parents got them 24 hour access to computers around Seattle). Chris Langan, an American with an IQ of 195, never had many opportunities, and so his brain was largely squandered (which Gladwell details in his chapter "The Trouble with Geniuses, Part I").(5) There is a huge amount of luck that runs through all of these pieces. Working at something for 10,000 hours is individually driven, but timing, parents and opportunity has nothing to do with being self-made.Gladwell writes in the same style as ESPN's Bill Simmons (whose latest book he wrote the intro for). He is easy to follow, he is funny and he uses a great deal of footnotes. The great flaw in Gladwell's work is that while his arguments and connections are interesting and make sense, they are not driven by research or that much hard data. He relies on anecdotal stories and hammering his points repeatedly. He rarely provides an opposing view to his points.

This is not just a good book. This is an important book. One of the first things I realized in reading this book by Malcolm Gladwell is that his position is diametrically opposite from that of Dr. Ben Carson, who through his campaign for the presidency stated that "poverty is a state of mind." Carson emphasized that despite all odds he was able to pull himself out of poverty and become a neurosurgeon and accomplish the things he did.Gladwell's book states early that success doesn't happen in a vacuum. It isn't based on intelligence, but on a variety of factors, and he uses multiple examples to demonstrate that we as a nation could have many more successful people in our country if we were to accept that it takes a village to make successes out of our children. In fact, he shows that hard work and opportunity in almost all cases are more important than intelligence.One story tells of the Canadian hockey league and the fascinating statistic that the vast majority of all successful hockey players are born in January, February or March. Why? Because the cutoff date for signing children is January 1, and those born in the first three months have a distinct advantage in age, experience and size in relation to those they play against. That same cutoff date is used by other countries, such as the Czech Republic, for not only hockey but soccer as well, which means that children born in the later part of the year consistently are overlooked when it comes to team sports. It's a built-in bias.These biases are all around us, and determine who succeeds or fails, constantly. In addition, the bias of a culture has a significant effect on how well a student does. Gladwell talks about the belief that Asians are better at math, which he shows is because their languages are more number-friendly, leading children to count earlier, and which make math simpler. In addition, he shows the inherent tradition of hard work of southern China had resulted in a work ethic for their descendants that continues today.Many of the stories are supported with statistics. One of the most eye-opening to me was his observation of the impact on summer vacation. Statistics show that the amount that lower-, middle-, and upper-class students learn in elementary school each year isn't that significantly different. But when you compare what they learn or forget over summer vacation, there is a significant discrepancy. Upper-class parents keep their children busy with lessons and classes all summer, while in most situations lower and even middle-class students don't do much during the summer and often forget much of what they have learned the previous year. As the summers add up, the problem compounds. And so the difference between upper, middle and lower class widens.The book is significant, easy to read, and extremely thought provoking. I highly recommend it.

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Sabtu, 10 Maret 2012

Free PDF The Modern Thai House: Innovative Designs in Tropical Asia

Free PDF The Modern Thai House: Innovative Designs in Tropical Asia

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The Modern Thai House: Innovative Designs in Tropical Asia

The Modern Thai House: Innovative Designs in Tropical Asia


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The Modern Thai House: Innovative Designs in Tropical Asia

Review

"The Modern Thai House features twenty-five houses selected by Robert Powell. Mainly designed by young architects in Bangkok and Chiangmai, these have been created in the last five years. I am impressed by the freshness and diversity of these contemporary works. There is an enjoyable consistency in the way that the lush vegetation, pools of water and often magnificent views weave through and around the architecture. The photography in this impressive book captures these qualities beautifully. This volume is an intelligent reminder of the importance that the design of the family house plays in the career of an architect. In many ways to design a good home is the ultimate architectural challenge." —Norman Foster, Baron Foster of Thames Bank, owner Foster + Partners

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About the Author

Robert Powell is an architect and writer. He was formerly Associate Professor of Architecture at the National University of Singapore and editor of Singapore Architect. Currently Project Director and Head of Ecomasterplanning with Llewelyn Davies Yeang (London), he is working with Ken Yeang on projects in India, Saudi Arabia, Malaysia, Qatar and the UK. He is the author of 30 books including: Modern Tropical Architecture: The Work of Tay Kheng Soon and Akitek Tenggara, Rethinking the Skyscraper: The Complete Works of Ken Yeang, Singapore: The Architecture of a Global City, The New Malaysian House and The New Indonesian House.Albert Lim Koon Seng is an acclaimed Singapore-based architectural photographer whose images have been published extensively in architectural journals including A+U (Japan), Architectural Review, Singapore Architect, SPACE (Singapore), and Monument (Australia). His photographs have also illustrated numerous books including Living Legacy, Modern Tropical Architecture, Singapore: Architecture of a Global City, The New Malaysian House, Singapore Houses and The New Indonesian House.

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Product details

Hardcover: 224 pages

Publisher: Tuttle Publishing; Hardcover with Jacket edition (October 10, 2012)

Language: English

ISBN-10: 0804842787

ISBN-13: 978-0804842785

Product Dimensions:

9 x 0.9 x 12 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#503,734 in Books (See Top 100 in Books)

fast ship cool book

Great book, as I expect it.If you have interest in this type of architecture, this one is great, lots of pictures.

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The Modern Thai House: Innovative Designs in Tropical Asia PDF
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